![]() ![]() ![]() A slew of Piñata tracks followed, including “High,” “Harold’s,” and “Deeper.” At times, Gibbs would start a song without an instrumental, as if he were lecturing instead of performing, adding an endearing personal tone to dramatic effect. With the momentum in his grasp, Gibbs took a few drags off a blunt, asked the crowd if they wanted some “gangsta shit,” and launched into “Thuggin’,” off 2014’s Piñata, which he co-created with Oxnard producer Madlib. The next song “Still Livin” off his 2012 mixtape, Baby Face Killa, the first of his to achieve Gold status on Datpiff, sufficiently amped up the crowd. Gibbs exuded the same laid-back turn up-friendly atmosphere as his recorded songs, starting out the set with “Rearview,” the opening song off his latest album, Shadow of a Doubt, released last November. Far from bashful, his songs boast triumphant lyrics in the face of adversity, spitting expansive hip-hop platitudes like, “I feel like fuck the law/Got diamonds on my rollie face I’m ‘bout to cop an Audemar,” and far-reaching metaphors like, “If the devil die today I’mma treat it like a holiday.” Gibbs emerged from this desperate lifestyle by channeling his experiences on the streets into music, and managed to bounce back into the game with 2008’s Midwestgangstaboxframecadillacmuzik.Īfter his show last Thursday at the Velvet Jones, Gibbs signed pictures and vinyls passed onstage by fans after his set, showing the humility of a man who has lost everything, only to retrieve it now attached with greater personal value. The next year was an uncertain hiatus to the crime-riddled streets of his hometown, a period in his life where he developed an addiction to oxycontin and fell into a life of lawlessness. However, a dent in Interscope’s finances attributed to illegal downloading caused them to drop him a year later. As a young standout in the Gary, Indiana, hip-hop scene, Gibbs signed to Interscope Records in 2006, becoming the first rapper from that city to sign to a major label. Freddie Gibbs is no stranger to the cold realities of the American music industry. ![]()
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